CLARA RUBIN








 







CV
b. 1988, Milan, Italy
Lives and works in Milan

Education
2021 – 22 Turps Art School, London
2008 – 11 BA (Hons) Illustration, Camberwell College of Art, London
2007 – 08 FDA, Metropolitan University, London

Exhibition
2022 – Notion of Beauty, I like your work podcast, online exhibition, curated by Eric Hibit
2021 – Routes, Rea! Scalo Lambrate, Milan
2020 – Rea! Art Fair, Fabbrica del vapore, Milan
2019 – Quiet, group show Rye Lane, Peckham, London
2011 – OVO, Red Gallery, London

Publications
2022 – Notion of Beauty printed catalogue for I like your work podcast ‘Notion of Beauty’ 2020 – Rea! Art Fair catalogue
2020 – Support Magazine, volume 1 printed September 2020, Printed by Manufacture Deux Ponts

Press
2022 - Incf Magazine, ‘ Clara Rubin: Interview, Portfolio, Takeover’ 2021 - It’s Nice That ‘ It comes natural to me as a medium’
2020 - Wrap Magazine ‘ Clara Rubin makes painting personal’ 2020 - Dans Les Yeux D’Elsa Art Magazine ‘Interview’
2020 - Baram House, ‘Portraits of summer’


 








Bio

Clara Rubin’s painted still lifes explore inherently Italian scenes, domestic settings, and the every-day intimacy of the home. Born in 1988 in Milan, Italy, Clara graduated from Camberwell College of Art in 2011. She lives and works in Milan.

Statement

My work is based mainly on painting, For the past 4-5 years I have been using predominantly gouache on paper but I love experimenting with other mediums as well like colour pastels and oil colours.
The themes I explore, and I am interested in revolve around home and identity, family and neighbourhood, nature and the man made.

I have depicted locations that are personal and well known to me, and I celebrate the experience of the place.

Some interesting concepts that recur in my work are about borders that exist between neighbours. In particular the feelings of safety and security, spying and surveillance.
I reflect on the act of introspection and intimacy where we feel most comfortable. Although with the existential idea of being watched by something which we can’t see.

My main source of inspiration are images from everyday life. I am often attracted by natural phenomenon like reflections or transparencies that suggest something mysterious.